Custom song editing for weddings, dances & special moments.

Most couples land between 90 seconds and two minutes. Under a minute can feel abrupt after a formal introduction; much past two and a standing, watching room starts to shift. If the floor opens to everyone partway through, you can comfortably run longer.

Yes — that is most of the craft. A clean edit lands on the musical structure, so the change happens where your ear already expects one. Cut on the phrase and nobody notices; cut a bar early and everybody does. Where a cut has to happen somewhere awkward, we use a crossfade or a short fill rather than leaving a join you can hear.

Yes. Removing a verse or a repeated chorus is the usual way to shorten a track, because it keeps the parts people recognise and takes out the repetition. The join gets rebuilt so the song plays as one continuous piece.

Yes. Two songs joined at a moment you choose is our two-song transition. You tell us where the first should hand over and how the change should feel — seamless, beat matched, a hard cut, a record scratch — or let us choose if you know the effect but not the technique.

Yes, and it is one of the most common requests. Around 90 seconds suits most receptions. Many couples also have the father-daughter and mother-son dances cut and joined into one continuous piece so the floor changes over without a gap.

Yes — same approach. Shortened to a comfortable length, starting where you want it to start, and ending on a resolved note rather than a fade.

Yes. Send the counts or section lengths your choreographer is working to and we build the music to the routine, rather than handing you a mix you then have to adapt to. Choreography mixes built to a rehearsed routine start at $450.

The song, and what you want to happen to it. Timestamps help — “start at 0:22, end at 1:31, transition at 1:31” is immediately actionable. If you only know you want it around two minutes and starting on the vocal, that is enough to work from.

Paste a share link in the form — Google Drive, Dropbox, WeTransfer or OneDrive — or submit first and email your files with your project number in the subject line. Anything large or uncompressed should go by link; most inboxes reject attachments over about 25MB.

Yes, and it is the fastest route to an edit you are happy with. The form takes start, end and transition times in formats like 0:30, 01:45 or 1:02:30, with a notes field on every song.

Yes. A built ending is one of the most valuable things an edit can do for a live moment — a fade leaves a couple standing there wondering when to stop, while a resolved ending gives the room an obvious cue to applaud.

Tell us what to change and we will change it. Timestamped notes are easiest to action — “at 1:14 let the chorus run another eight seconds” is far more useful than “the middle feels off”. A project that needs a fundamental change of direction is quoted separately.

We use those links to identify the song — which version, which mix, which edit — not as a source. We do not download from streaming services. Where a production-quality source file is needed, you supply a file you are permitted to provide.